Last Night and The Future14 May 2020 11:18
I can't work out if Embers is the biggest bullshiner ever or my new virtual best friend. Embers if you're right about asking the ex-employee and things will happen next week then fantastic new and I'm sure everyone will agree you will quickly become the BBs board top predictor. Although if this is true, outing the sex of the person on a public BB will no doubt lead to the source if anyone in the company wanted to track them for non disclosure.
To get back up to the 15p figure fast there would need to be a few things happening IMO. It won't just jump there on the news.
They need to
1) Get the attention of the artists / management teams that this is the new way forward for their PAID for virtual concerts.
2) Get a good uptake and public response (advertising and usage).
3) The first few live productions need to be at least 95% spot on.
4) The tech needs to work with minimal issues.
(this list could go on and on but these are probably just some of the main things).
What would be a blinder if MelodyVR teamed up with the three largest artists that have access to the three different venue sites and they produced a FREE live concert or something like £1/$1 to watch with Melody & the artists giving the proceeds to the NHS or the medical teams in the relevant countries (this would get huge publicity throughout the globe. FB can promote this to areas where Melody doesn't opperate).
Watched the first 30 minutes of the Lewis Capaldi gig last night on Oculus Venues. Good news WhatShare, the gig was totally in 2D / flat and not 3D so this certainly keeps the Venues platform open to us if we are still in cahoots with FB. TBH this is what Venues is all about so would be very surprised if we don't start appearing there. After all Mark wants to make VR a massive success with device adoption going mainstream and this is certainly a way helping with that task. Especially when the Gore stuff comes online.
The Oculus Venues platform is actually really good. I was very surprised. Being on this platform means that you don't need social integration in the Melody software as Venues take full control of this (although we do still need this for pre-recorded gigs on Melody and 360 live events). I was talking to people from everywhere and you can add your friends to the venues gig as well as going in a solo royal box. The experience was top notch but the stream by Supersphere was just that... a stream, not a production and certainly nothing to worry about (apart from the fact they're moving faster than MelodyVR). If Melody got the camera angle right to be in the Venues platform then boom, it would be pretty spectacular and only use a fraction of the bandwidth because it would use Facebooks architecture for streaming to many people at once.