Member Info for MrH_m

Albert - none of us know what’s being discussed, but I can make a good bet that Gore is still interested in his investment options here; of course he is. He will be considering how best to make up for lost revenues and we are still in pole position to assist and work with him. It’s great we can talk positively about the opportunities here. Certainly exciting times ahead :-)

I think BrownAdder suggested keeping theatre as a separate entity a while back (so can’t credit this idea as all my own)

That would interest him enough re his o/s options IMO

My view is that is that music streaming & VR has now back-seated Theatre and discussions are ongoing re what to do there. Gore must be primarily concerned with using the tech for theatre, but our resources won’t be able to stretch to music & theatre IMO. So, what does Gore do?! If I was him, I would license the tech, use and rename the Melody VR app to something Broadway related and then allow him to focus and manage the theatre side, all under the Naspster Group umbrella. Just thinking out loud mainly, in the knowledge that the day traders don’t work weekends :-)

Yes that’s right, but there is no mention of theatre. It could be that the existing Melody VR app is still used(separate to the new Napster app) just for theatre and maybe even managed by Gore & Co. just a wild thought as to why Gore has gone off the radar but presumably must still be keen to invest (beyond recouping his losses)

Not saying they will, but they could just use the current “old” Melody VR app platform for theatre post-new app

Perfectly summarised KoK. Could not agree more.

Interesting Henry - that would be a nice surprise

I’ll step up first Bax (why the hell not). I have tried the current Napster app and it is ****. Yet they have a small, loyal following. What excites me is the endless possibilities that a decent, dare I say ‘killer’ app (similar /better to Tidal’s which is slick) would offer. Get the new app right, add the relevant and exciting content and kids / adults / and I will sign up and follow. That’s the real opportunity here to get to $400m revenue

I’m not knocking you and other Day Traders Rikki - as long as it covers your monthly rent fair play. I just like to understand the man behind the posts. I feel like I understand you now. Stay safe

I was just replying ‘generally’ to Horse Gobs’ post Mel. Mentioned no names, but it’s interesting to see who replied haha

Hi Mooney - I suspect it’s just for ease of comparison with the other US companies. The music industry currency does seem to be $s. Just my opinion, could be wrong

Not a clue, but would suggest the ‘Batman and robin’ approach of having 2 accounts working in tandem doesn’t work

Great. Thanks for sharing Tuscan

100% Lord - I’ve been put to task in my business over the years by banks, crowd funders etc. They all want the financials. To use subscribers as a comparator is unreliable unless all streaming companies’ Mcap is based solely on that factor. It can’t be, else our Mcap would be a lot higher than the current sp suggests. Good luck to you too :-)

And personally I couldn’t care less how we generate $400m. The point is that’s the forecast given for end 2022 So it’s now down to AM and do to deliver. Presumably they must know from their business plans and accounts forecasts (disclosable to Dollens and other IIs pre-funding investment) how they plan to deliver so myself and everyone else should now expect them to deliver

... or 32.4p applying your dilution equivalents

Henry, just playing catch up. Surely If NAPS projections are $400m revenue by end 2022 compared to $150m generated by Tidal, that’s 2.7 x revenue projected by NAPS. Tidal Mcap of $600m x 2.7 = $1.62b...

No no Iti, it was a good point and another one that I had missed (thanks). Something else to add value

I’m guessing we plan to host live events and sell physical tickets, to then also record the content for the app