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At my local showcase cinema trailer for the grayman saying Netflix film in selected theatres, does anyone know if cineworld are showing this film ? It does look very good for a Netflix film $200 million budget

But yet you giantsquid was ramping the hell out of this 18 months Ago, same situation minus the court case outcome, your comments are worthless, when you have contodicted yourself

It made a comeback but then dropped 16% (yahoo finance) i Wouldn’t worry about it, worry about Monday morning hopfully a up day

good luck

Cineworld

Mr Moshe (Mooky) Greidinger Chief Executive

Email Mooky.Greidinger@cineworld.co.uk

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Complete rubbish squid, the share price hasn’t dropped at all because Of the conviction, I admit I was worried, but it never made a single bit of difference, to the share price.

However, absence made the heart grow fonder. Universal and Illumination’s Minions: The Rise of Gru began its domestic box office jaunt yesterday with $10.75 million in Thursday previews, by far the biggest Covid-era preview gross for an animated feature. That’s bigger than the $6.2 million Thursday preview gross for Minions, the $8.2 million preview grosses for Frozen II, the $9 million preview gross for Finding Dory and (obviously) Lightyear’s $5.2 million Thursday launch two weeks ago.

Among all animated debuts, its preview gross is behind only Toy Story 4 ($12 million) and Incredibles 2 ($18.2 million). Yes, I’m counting The Lion King as live-action for reasons I explained in 2019. Not to pick on Disney yet again, but the sheer size of this Thursday preview gross (which, yes, began as early as 2:00 pm) shows that Covid cannot be held responsible for Lightyear’s comparatively poor theatrical performance.

With decent reviews and even pans assuring audiences that it’s a Minions movie, now we just do the math. If Minions: The Rise of Gru has Thursday-to-weekend legs akin to Lightyear, it’s looking at a $105 million Fri-Sun weekend and around $116 million for the July 4 holiday frame. That seems about right, although casual moviegoers could boost that closer to $110 million/$120 million.

Even comparative frontloading, if it plays like a live-action blockbuster, would mean an $85 million/ $95 million opening. Minions opened with $115 million, still the sixth-biggest animated opening, in July of 2015. That Minions 2 is going to get close, with a launch higher than Despicable Me 3 ($72.4 million Fri-Sun/$99 million Fri-Wed) in 2017, means that either absence really has made the heart grow fonder or Minions sits alongside Deadpool as a rare spin-off that’s more popular than the original franchise.

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Scott Mendelson
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I’m pretty sure cineworld show films, I might be wrong )

Sorry mr 99 posts, what exactly have you contributed to this Board, I’m pretty sure I have put hundreds of posts links.

My first time in a 4d screen

https://deadline.com/2022/06/minions-the-rise-of-gru-box-office-1235054142/

https://www.cnbc.com/2022/06/29/top-gun-maverick-gives-2022-box-office-momentum-inflation-could-hurt.html

Talk about being gutted

It’s last chance to see topgun in 4d next week, so might travel over to cineworld to check out this 4d thing

I mentioned this the day, we all seem to forgot about minions, I think I will miss that one thou, black phone for me this week

https://www.forbes.com/sites/scottmendelson/2022/06/29/why-the-man-from-toronto-with-kevin-hart-and-woody-harrelson-does-netflix-more-harm-than-good/

That’s bullocks about body language at The meeting last month from mooky lol

Well there is nothin on google at all

The main director of cineworld has just got a suspended sentence, if it is true, how the hell was this not made public before

Greidinger is known for allegedly using some shady practices for which he has also been indicted, yet the industry hardly makes a peep on the matter. “His biggest ambition was to create a closed market,” one industry veteran who spoke on condition of anonymity told Calcalist. “He has all the films and he has the theatres, so he doesn’t need anyone else,” they said. “Even when he had the rights for independent films he chose not to run, he was reluctant to let competitors have them.”

Asked why no one sent an official complaint to the Competition Authority, a distribution industry veteran who spoke on condition of anonymity told Calcalist, they were afraid of retribution. “It is a small and vindictive industry,” they said.

st year, without ever being aware of it, superstar British musician Elton John made history in Israel. It happened when Rocketman, the musical drama about his life, was screened in the Tel Aviv branch of Israeli artisan film theatre chain Lev Cinema Ltd.
This may sound like an everyday mundane occurrence but, in the Israeli film distribution and screening industry, it was unprecedented and only made possible thanks to an antitrust investigation, instigated by an unrelated request from The Walt Disney Company.

An image of a scete out of Rocketman. Photo: Paramount Pictures
An image of a scete out of Rocketman. Photo: Paramount Pictures
Rocketman’s distributor in Israel is Forum Film Ltd., the sole distributor in the country for the vast majority of large Hollywood studios including Disney—as well as subsidiaries Marvel Entertainment and Pixar Animation Studios—20th Century Studios Inc., and Sony Pictures Entertainment Inc. Rocketman appears to be the first blockbuster film distributed by Forum Film and screened at Lev theatres in the latter’s 40-year history.

This situation was not brought about by Lev’s inclination towards artsy international cinema, but rather because it had no choice. Lev has shown interest in breaking the mold and screening the occasional blockbuster or children’s summer hit in the past but Forum Film is known for its refusal to let competitors share a piece of its pie.

Forum Film is owned by Moshe (Mooky) Greidinger, who also owns Cinemas Theatres Ltd., which operates two of Israel’s largest cinema chains, Rav Hen and megaplex chain yes Planet. As such, it is in Greidinger’s interest to keep blockbusters like The Avengers or Star Wars to himself and not share them with his neighbors/ competitors.

Moshe (Mooky) Greidinger. Photo: Piotr Malecki / Forbes / Napo Images
Moshe (Mooky) Greidinger. Photo: Piotr Malecki / Forbes / Napo Images
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Incidentally, Lev Tel Aviv is located six minutes away by foot from Rav Hen’s complex in Dizengoff Square and the two are the only remaining full-time cinema theatres in the city.

In Israel, the film distribution industry as a whole is ripe with cross-ownership issues as, for the past 40 years, it has been run by just eight families, most of whom are both distributors and the owners of screening venues. Until around 10 years ago, this situation meant every theatre chain only screened the movies its owner distributed.

To put things simply: in general, it is in the distributor’s best interest to push their films to as many theatres as possible in order to sell more tickets for each film. A theatre owner’s interests, on the other hand, are to get as many exclusive titles as possible to make sure the audience comes to their theatre and not go to their competitors.