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Yeah me and our lass watched the black phone Friday night in Sheffield both of us enjoyed it,
The screening was about half full,as was the car parks.
One thing that really stood out for me was the amount of people waiting to get into the vip lounge, this to me indicates that confidence is slowly returning.
I watched Top Gun again yesterday with my wife and mother in law as she’s hadn’t seen it and wanted to see it, Cineworld Telford was rammed, I took a picture of the amount of people queuing up for food and drinks . We watched it in iMAX at the 440 pm showing.
Cineworld was very busy and I was surprised how all age groups were there.
Price was £16.69 for me and my wife and £14.69 for the mother in law.
She absolutely loved it and I could watch it over and over.
The cinemas are back in a big way and I’ve seen it with my own eyes.
Atb all.
Sorry I meant H2 2021
You can’t really compare to 2021, as nothing was really open until April
As of now US B.O. for H1 2022 is superior than H1 2021 and the frequency for the UK and ROW is superior as well. So looking to 1700$ for H1 2022
The black phone seems to be doing very well at my local showcase, will be interesting what that takes in the uk this weekend
It is indeed Cruis1. Looking like beyond top end but best wait until Monday or Tuesday for the definitive numbers.
Cumulative audiences for Jurassic, TopGun Maverick and Lightyear on top give a good indication this ringing in the tills across all our 3 territories and there are four more days after this weekend to finish the month off.
$900M + looks nailed on for a cracking month.
https://variety.com/
Baz Luhrmann’s Elvis topped the domestic box office on Friday with a solid $12.7 million. That includes $3.7 million in Thursday (and week-of) previews. If the film plays over the weekend like Dexter Fletcher’s Rocketman (which opened with $25.7 million from a $9.17 million Friday in June of 2019), then the $85 million rock biopic earns an impressive $35 million in its Fri-Sun debut. That may be optimistic since the Paramount-released, crowd-pleasing Elton John flick was R-rated. However, Taron Egerton’s Rocketman was also an hour shorter than Warner Bros. Discovery’s Austin Butler and Tom Hanks-starring 160-minute epic. With strong reviews and solid buzz, I’d expect the Austin Butler/Tom Hanks flick with around $30 million and duking it out with Top Gun: Maverick for the weekend crown.
One year ago, we were all mourning the $11.8 million opening weekend of In the Heights (and celebrating the $70 million opening of F9), so I’d count $30 million-plus for a 2.75-hour, adult-skewing musical drama as a relative win. Yes, Elvis Presley is a “marquee character,” as was Freddie Mercury for Bohemian Rhapsody and Lady Gaga as a fictionalized version of Lady Gaga in A Star Is Born. In pre-Covid days, live-action musicals (including musically centric biopics like Straight Outta Brooklyn) were among the safer theatrical sub-genres. We had a ton of musicals last year and almost all of them (West Side Story, Respect, Dear Evan Hanson, etc.) died badly. Elvis’ solid debut feels like another progression toward relative “business as usual” normality.